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Brutus and the Ghost of Caesar (1802), copperplate engraving by Edward Scriven from a painting by Richard Westall, illustrating Act IV, Scene III, from Shakespeare's Julius Caesar. Out of all the conspirators, only about twenty of their names are known. Nothing is known about some of those whose names have survived. [81]
Marcus Junius Brutus (/ ˈ b r uː t ə s /; Latin: [ˈmaːrkʊs juːniʊs ˈbruːtʊs]; c. 85 BC – 23 October 42 BC) was a Roman politician, orator, [2] and the most famous of the assassins of Julius Caesar. After being adopted by a relative, he used the name Quintus Servilius Caepio Brutus, which was retained as his legal
Within the Tent of Brutus: Enter the Ghost of Caesar, Julius Caesar, Act IV, Scene III, a 1905 portrait by Edwin Austin Abbey. The Tragedy of Julius Caesar (First Folio title: The Tragedie of Ivlivs Cæsar), often shortened to Julius Caesar, is a history play and tragedy by William Shakespeare first performed in 1599.
Although Suetonius, Cassius Dio, and probably Plutarch as well seem to have believed Caesar died without saying anything further, [12] the first two also reported that, according to others, Caesar had spoken the Greek phrase "καὶ σύ τέκνον" (Kaì sý, téknon - You too, child) to Brutus, as (in Suetonius) or after (in Dio) that senator struck at him.
Movements of armies in the Battle of Philippi. The Battle of Philippi was the final battle in the Liberators' civil war between the forces of Mark Antony and Octavian (of the Second Triumvirate) and the leaders of Julius Caesar's assassination, Brutus and Cassius, in 42 BC, at Philippi in Macedonia.
Cassius persuades his friend Brutus to join a conspiracy to kill Julius Caesar, whose power seems to be growing too great for Rome's good. After killing Caesar, however, Brutus fails to convince the people that his cause was just. He and Cassius eventually commit suicide as their hope for Rome becomes a lost cause. King Lear: 1603–1606 [5] [6]
Antony has been allowed by Brutus and the other conspirators to make a funeral oration for Caesar on condition that he will not blame them for Caesar's death; however, while Antony's speech outwardly begins by justifying the actions of Brutus and the assassins, Antony uses rhetoric and genuine reminders to ultimately portray Caesar in such a positive light that the crowd is enraged against the ...
The first known occurrences of the phrase are said to be in two earlier Elizabethan plays: Henry VI, Part 3 by Shakespeare, and an even earlier play, Caesar Interfectus, by Richard Edes. [3] The phrase is often used apart from the plays to signify an unexpected betrayal by a friend. There is no evidence that the historical Caesar spoke these words.