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Tune-o-matic (also abbreviated to TOM) is the name of a fixed or floating bridge design for electric guitars. It was designed by Ted McCarty (Gibson Guitar Corporation president) and introduced on the Gibson Super 400 guitar in 1953 and the Les Paul Custom the following year. [1] In 1955, it was used on the Gibson Les Paul Gold Top. It was ...
A stoptail bridge (sometimes also called a stopbar bridge) used on a solid body electric guitar or archtop guitar is a specialized kind of fixed hard-tail bridge. Hard-tail bridged guitars use different bridges from those guitars fitted with vibrato systems (which are also known as tremolo arms or whammy bars).
Badass bridges (used on the Martin EB18 electric bass and a replacement bridge on the Fender Precision Bass) feature individually adjustable saddles, which allows for "extremely accurate intonation adjustments."
] Furthermore, DR-7s with a four-digit ink stamped label serial number, a zero fret and an adjustable bridge saddle strongly suggests a very early ('70-'71) build date. Some early 1970s Sigma guitar serial numbers (c.1972–1975) began with 7X0 suggesting the 197X build date (e.g. 750XXXXX possibly equates to a build year 1975.)
On a cello, the strings are attached to the tailpiece and are held above the soundboard by the bridge.. A bridge is a device that supports the strings on a stringed musical instrument and transmits the vibration of those strings to another structural component of the instrument—typically a soundboard, such as the top of a guitar or violin—which transfers the sound to the surrounding air.
The Gibson J-160E is one of the first acoustic-electric guitars produced by the Gibson Guitar Corporation. The J-160E was Gibson's second attempt at creating an acoustic-electric guitar (the first being the small-body CF-100E [2]). The basic concept behind the guitar was to fit a single-pickup into a normal-size dreadnought acoustic guitar.
The A24, for instance, a 12-string acoustic guitar, had a solid but relatively thin spruce top, rosewood sides and back, and a mahogany neck with a rosewood fingerboard. It also had a zero fret and a screw-adjustable bridge modeled after the Gibson Heritage Jumbo bridge of that period and sold new for around $140 in the mid-1970s.
Because of this, the guitar is louder when the toggle is set to both the neck and bridge pickups rather than when only one pickup is selected. [3] The reissue has a fully adjustable bridge and a full scale neck of 19 frets with the neck connecting to the body at the 14th fret. Because of this, playing the higher frets is nearly impossible.
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