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Tolkien disapproved in particular of Shakespeare's devaluation of elves, and was deeply disappointed by the prosaic explanation of how Birnam Wood came to Dunsinane Hill in Macbeth. Tolkien was influenced especially by Macbeth and A Midsummer Night's Dream, and he used King Lear for "issues of kingship, madness, and succession". [1]
Tolkien influences timeline; Date Influences Elements [1] [2] [3] c. 1900 First World War ... Shakespeare Macbeth: Prophecy of Witch-King's death c. 1400 Late Medieval:
Pages in category "Influences on J. R. R. Tolkien" The following 12 pages are in this category, out of 12 total. ... Shakespeare's influence on Tolkien; T.
Tolkien has been called the "father" of modern fantasy. [14] The author and editor of Journal of the Fantastic in the Arts, Brian Attebery, writes that fantasy is defined "not by boundaries but by a centre", which is The Lord of the Rings. [15] Many later fantasy writers have either imitated Tolkien's work, or have written in reaction against ...
William Shakespeare's influence extends from theater and literatures to present-day movies, Western philosophy, and the English language itself. William Shakespeare is widely regarded as the greatest writer in the history of the English language, [ 1 ] and the world's pre-eminent dramatist.
Tolkien was not the first author to create fictional worlds, as George MacDonald and H. Rider Haggard had done so, and were praised for their "mythopoeic" gifts by Tolkien's friend and fellow-Inkling C. S. Lewis. [19] Tolkien however went much further, spending many years developing what has been called a mythology for England, starting in 1914.
J. R. R. Tolkien's bestselling fantasy novel The Lord of the Rings had an initial mixed literary reception. Despite some enthusiastic early reviews from supporters such as W. H. Auden, Iris Murdoch, and C. S. Lewis, scholars noted a measure of literary hostility to Tolkien, which continued until the start of the 21st century.
J. R. R. Tolkien was a professional philologist and an author of fantasy fiction, starting with the children's book The Hobbit in 1937. The Andrew Lang Lecture was important as it brought him to clarify his view of fairy stories as a legitimate literary genre, rather than something intended exclusively for children. [2]