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In filmmaking, the 180-degree rule [1] is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second ...
All of these shots must obey the 180-degree rule. [17] "Call" (the shot of the first actor, item, space) and "answer" (shots of the next actor, item, or space) shots use the same lens size and focus distance, so that things in the shot retain a consistent distance from the camera. [18] [19]
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One of the keys to maintaining screen direction is the 180-degree rule, which cuts a horizontal line through the frame. [3] Actors are then filmed from only one side of the axis, maintaining the orientation of the space for the viewer. [4] This can be manipulated specifically to create a shift in perspective.
A tight shutter angle will constrict motion blur. A wide shutter angle will allow it. A 180° shutter angle is considered normal. So for instance, at 24 fps the "frame Interval" value is 0.04167 second ( = 1 / 24 ). Using an "exposure time" of 1/50 second gives a shutter angle value of 173°, very close to 180° (normal motion blur effect).
The Dutch angle, also known as Dutch tilt, is a head tilt to one side, is a type of camera shot where the camera is set at an angle on its roll axis so that the shot is composed with vertical lines at an angle to the side of the frame, or so that the horizon line of the shot is not parallel with the bottom of the camera frame.
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Shooting in the round refers to a style in cinematography in which the 180-degree rule is broken and the actors are filmed from all sides.. During TV show panel discussions, shooting in the round can help the guests feel like all the panelists are equal and create a feeling of greater intimacy.