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2. List of distortion pedals - Wikipedia

   en.wikipedia.org/wiki/List_of_distortion_pedals

   A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.

3. Effects unit - Wikipedia

   en.wikipedia.org/wiki/Effects_unit

   A footswitch pedal such as the "A/B" pedal routes a guitar signal to an amplifier or enables a performer to switch between two guitars, or between two amplifiers. This footswitch controls an effect (distortion), but it is not an effects pedal as the case does not contain effects circuitry; it is just a switch.

4. Fuzz Face - Wikipedia

   en.wikipedia.org/wiki/Fuzz_Face

   By rolling the volume knob, the guitar player can decrease the gain of the pedal and get a clean or crunch sound, while still having all the gain when the volume knob is on maximum. [ clarification needed ] For the same reason, Fuzz Face pedals react differently when placed directly after the guitar than when after other pedals or after a ...

5. Fuzz-wah - Wikipedia

   en.wikipedia.org/wiki/Fuzz-wah

   The "fuzz" concept was accidentally created in Nashville in 1961 by a malfunction in bassist Grady Martin's amplifier during a solo on a track. [2]The Wah-wah pedal started out as a knob that was created by a British engineer and guitarist Dick Denney in hopes that the guitar would be able to imitate certain aspects of the human voice.

6. Klon Centaur - Wikipedia

   en.wikipedia.org/wiki/Klon_Centaur

   The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices.

7. Guitar amplifier - Wikipedia

   en.wikipedia.org/wiki/Guitar_amplifier

   Such processors can be traditional guitar effects, a modeling amplifier (without power amplifier), or a computer running tone-shaping software. [20] Using a modeling amp or a multi-effects pedal used with line level output, a guitarist can plug in the guitar into a flat response mic input or into a keyboard amplifier.