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In 2013 the Istanbul Center of Design and the Ensar Foundation ran what they claimed was the first ever symposium of Islamic Arts and Geometric Patterns, in Istanbul. The panel included the experts on Islamic geometric pattern Carol Bier, [g] Jay Bonner, [h] [66] Eric Broug, [i] Hacali Necefoğlu [j] and Reza Sarhangi.
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
The oud (Arabic: عود, romanized: ʿūd, pronounced) [1] [2] [3] is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument [4] (a chordophone in the Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively.
The alternation between a free rhythmic-temporal and fixed tonal-spatial organization on the one hand and a fixed rhythmic-temporal and free tonal-spatial structure on the other. This alternation... results in exciting contrasts." Much Arab music is characterized by an emphasis on melody and rhythm rather than harmony.
Whereas in the eastern Islamic world blues and turquoises were the dominant colours, in western zellij yellows, greens, black, and light brown were very common, with blues and turquoise also appearing in the mix, and they were typically set against a white ground. [5] [34] [35] Example of geometric pattern in the Bou Inania Madrasa of Fez. This ...
The upper part of the windows is ornamented with coloured glass, introduced in small pieces in a pierced wood pattern, which is painted black or a dark colour. The inhabitants of Baghdad are extremely proud of this form of ornamentation, which they consider belongs entirely to themselves, though its origin is no doubt Persian.
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There is no text, but there is a grid pattern and color-coding used to highlight symmetries and distinguish three-dimensional projections. Drawings such as shown on this scroll would have served as pattern-books for the artisans who fabricated the tiles, and the shapes of the girih tiles dictated how they could be combined into large patterns.