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Metropolitan Museum of Art, New York, United States: Oil and gold on panel 169,5 x 168,9 c. 1504 The Agony in the Garden [Wikidata] Metropolitan Museum of Art, New York, United States: Oil on panel 24,1 x 28,9 Lamentation over the Dead Christ (Raphael) [Wikidata] Isabella Stewart Gardner Museum, Boston, United States: Oil on panel 23,5 x 28,8 c ...
Paintings by Raphael (1483−1520) — the renowned Italian Renaissance painter. Subcategories. This category has the following 5 subcategories, out of 5 total. ...
Raphael was one of the finest draftsmen in the history of Western art, and used drawings extensively to plan his compositions. According to a near-contemporary, when beginning to plan a composition, he would lay out a large number of stock drawings of his on the floor, and begin to draw "rapidly", borrowing figures from here and there. [ 75 ]
Paintings of the Madonna by the Italian renaissance artist Raphael. Media related to Madonnas by Raffaello Sanzio at Wikimedia Commons Pages in category "Paintings of the Madonna and Child by Raphael"
In a 1870 publication, German art historian Carl Justi observed that the painting depicts two subsequent episodes in the biblical narrative of Christ: after the transfiguration, Jesus encounters a man who begs mercy for his devil-possessed son. [35] Raphael plays on a tradition equating epilepsy with the aquatic moon (luna, from whence lunatic).
The Disputation of the Sacrament (Italian: La disputa del sacramento), or Disputa, is a painting by the Italian Renaissance artist Raphael.It was painted between 1509 and 1510 [1] as the first part of Raphael's commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
A copy of Raphael's School of Athens was painted on the wall of the ceremonial stairwell that leads to the famous, main-floor reading room of the Sainte-Geneviève Library in Paris. The two figures to the left of Plotinus were used as part of the cover art of both Use Your Illusion I and II albums of Guns N' Roses.
The painting possesses an esthetic influence from Pinturicchio and Melozzo da Forlì, though the spatial orchestration of the work, with its tendency to movement, shows Raphael's knowledge of the Florentine artistic milieu of the 16th century. [2] The work was acquired by the São Paulo Museum of Art in 1954.
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