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Influenced by the work of art historian Charles Moffett and curated by Eliza Rathbone, Impressionists in Winter was sponsored by J.P. Morgan & Co. and opened in 1998 at The Phillips Collection art museum in Washington, D.C. In 1999, the exhibition appeared at the Yerba Buena Center for the Arts in San Francisco and the Brooklyn Museum in New ...
Artists who were born in, or who have extensively lived in, extensively worked in, or been deeply involved with Virginia. Subcategories This category has the following 11 subcategories, out of 11 total.
George Henry Durrie self-portrait, 1843 [1]. George Henry Durrie (June 6, 1820 – October 15, 1863) was an American landscape artist noted especially for his rural winter snow scenes, which became very popular after they were reproduced as lithographic prints by Currier and Ives.
A Cart on the Snowy Road at Honfleur (French: La Charrette, route sous la neige à Honfleur) is an oil-on-canvas snowscape painting by French impressionist Claude Monet. The painting depicts a man on a wooden cart travelling along a snow-laden road in Honfleur. [2] A Cart on the Snowy Road at Honfleur is one of nearly 140 snowscapes painted by ...
The Road in Front of Saint-Simeon Farm in Winter is an 1867 oil-on-canvas snowscape painted by French impressionist Claude Monet. It depicts a snow-covered road in front of a barn, with tracks of a horse cart and various footsteps in the snow. The painting is one of four related works from the winter of 1867, and represents Monet’s earliest ...
From 1920 to 1928, he served as the president of the New Society of Artists. He was a member of the Virginia Fine Arts Commission and a trustee of the Corcoran Gallery of Art. [10] He served as chairman of the Art Committee of the Smithsonian American Art Museum. [11] He was an early member of the American Academy of Arts and Letters. [12]
According to the Wyeth, he worked on the painting for the whole winter of 1946. It was the first tempera painting he made after the death of his father, N. C. Wyeth, who was hit by a train. Andrew Wyeth said about the picture: "It was me, at a loss—that hand drifting in the air was my free soul, groping."
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