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Unsigned, the painting is attributed to de Arellano due to the wide variety of flowers scientifically portrayed, the precise underdrawing and the quite free arrangement of them with the petals (especially those of the red and white tulip at bottom left) seemingly troubled by a breeze, though the inclusion of a dahlia and orange blossom is rare ...
The lithograph displays a white dove on a black background, which is widely considered to be a symbol of peace. The image was used to illustrate a poster at the 1949 Paris Peace Congress and also became an iconographic image of the period, known as "The dove of peace". An example is housed in the collection of the Tate Gallery and MOMA. Since ...
A flower bouquet is a collection of flowers in a creative arrangement. Flower bouquets can be arranged for the decor of homes or public buildings or may be handheld. Several popular shapes and styles classify handheld bouquets, including nosegay, crescent, and cascading bouquets.
They are typically grey or white, often with black markings on the head or wings. They have stout, longish bills and webbed feet. Terns are a group of generally medium to large seabirds typically with grey or white plumage, often with black markings on the head. Most terns hunt fish by diving but some pick insects off the surface of fresh water.
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The pied butcherbird (Cracticus nigrogularis) is a songbird native to Australia.Described by John Gould in 1837, it is a black and white bird 28 to 32 cm (11 to 12.5 in) long with a long hooked bill.
This is a fairly distinctive 21–23-cm long passerine with white underparts and black upperparts extending from the top of the head down to the tail. The bird has a characteristic white "V" on the back and a relatively long black tail with white outer feathers and white tips on the other feathers. The bill, eyes and legs are black.
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.