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Composition with Large Red Plane, Yellow, Black, Grey and Blue is Mondrian's first painting after the publication of this essay, visually representing these ideals by stripping away all recognizable forms of physical objects and even the outlines of individual brushstrokes. [2] The oil on canvas painting is square in form, measuring 59.5 by 59. ...
Pieter Cornelis Mondriaan (Dutch: [ˈpitər kɔrˈneːlɪs ˈmɔndrijaːn]; 7 March 1872 – 1 February 1944), known after 1911 as Piet Mondrian (/ p iː t ˈ m ɒ n d r i ɑː n /, US also /-ˈ m ɔː n-/, Dutch: [pit ˈmɔndrijɑn]), was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century.
Piet Mondrian: Composition II in Red, Blue, and Yellow ; Artist: Piet Mondrian (1872–1944) Alternative names: Piet Mondriaan, Pieter Cornelis Mondriaan. Description:
Alongside Mondrian, Jan Toorop, and Jacoba van Heemskerck stayed in the town, painting the sea, the beaches, and town. [5] Mondrian visited Domburg in 1908, staying at the Loverendale Villa, the summer home of van Heemskerck and Marie Tak van Poortvliet, where he painted various landscapes. He later returned in 1909 with his friend Corenlis Spoor.
Composition with Red, Blue and Yellow is a 1930 painting [1] by Piet Mondrian, a Dutch artist who was a leading figure in the Neo-Plasticism movement. It consists of thick, black brushwork, defining the borders of colored rectangles. As the title suggests, the only colors used in it besides black and white are red, blue, and yellow.
Piet Mondrian (1872–1944) Alternative names: Piet Mondriaan, Pieter Cornelis Mondriaan. Description: Dutch painter, drawer and writer: Date of birth/death:
Piet Mondrian: Composition with Large Red Plane, Yellow, Black, Grey and Blue ; Artist: Piet Mondrian (1872–1944) Alternative names: Piet Mondriaan, Pieter Cornelis ...
Composition with Yellow Lines is a 1933 abstract painting on canvas by Dutch artist Piet Mondrian. While following the grid like structures of his other abstract paintings, it is unusual in omitting the use of any black lines. [1]