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The Velvet Vampire, also known as Cemetery Girls, is a 1971 American vampire film directed by Stephanie Rothman. It stars Celeste Yarnall, Michael Blodgett, Sherry Miles, Gene Shane, Jerry Daniels, Sandy Ward, and Paul Prokop. It has been cited as a cult film. [3]
Cemetery Girls, an alternative title for Count Dracula's Great Love (originally El gran amor del conde Drácula), a 1974 Spanish film directed by Javier Aguirre; Cemetery Girls, an alternative title for The Velvet Vampire, an American vampire movie from 1971 directed by Stephanie Rothman
TCM Underground was an American weekly late-night cult film showcase airing on Turner Classic Movies. [1] Developed by former TCM marketing director Eric Weber, it was originally hosted by industrial rock/heavy metal musician and independent filmmaker Rob Zombie.
The Vampire Happening: Freddie Francis: Pia Degermark, Thomas Hunter, Yvor Murillo West Germany [72] Vampyros Lesbos: Jesús Franco: Ewa Strömberg, Soledad Miranda, Andrés Monales West Germany Spain [73] The Velvet Vampire: Stephanie Rothman: Celeste Yarnall, Michael Blodgett, Sherry Miles United States [74] Venom: Peter Sykes
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A vampire film featuring a female descendant of Countess Elizabeth Bathory. Mama Dracula: 1980 France/Belgium: Boris Szulzinger: Louise Fletcher, Maria Schneider, Marc-Henri Wajnberg: Based on Countess Elizabeth Bathory and her rejuvenation baths consisting of the blood of young virgins. Eternal: 2004 Canada: Wilhelm Liebenberg, Federico Sanchez
Stephanie Rothman (2024) Stephanie Rothman (born November 9, 1936, in Paterson, New Jersey) is an American film director, producer, and screenwriter, known for her low-budget independent exploitation films made in the 1960s and 1970s, especially The Student Nurses (1970) and Terminal Island (1974).
In 1971, she starred as the titular vampire in Stephanie Rothman's low-budget film The Velvet Vampire, of which Dave Kehr of the Chicago Reader said, "Given the genre (horror) and the budget (extremely low), it may seem perverse to say that Stephanie Rothman's 1971 film is among the best women's films ever made, but so it is." [3]
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