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Style in men's and women's footwear was the same in this period. Shoes for men and women were flat, and often slashed and fastened with a strap across the instep. They were made of soft leather, velvet, or silk. Broad, squared toes were worn early, and were replaced by rounded toes in the 1530s.
A daring new fashion arose for having one's portrait painted in undress, wearing a loosely fastened gown called a nightgown over a voluminous chemise, with tousled curls. The style is epitomized by the portraits of Peter Lely, which derive from the romanticized style originated by Anthony van Dyck in the 1630s. The clothing in these portraits ...
The trailing skirts which were very tight showing skin and broad-brimmed hats of mid-decade narrower dresses and hats with deep crowns. Men wear top hats with formal morning dress or bowlers with lounge suits. Fashion in the period 1900–1909 in the Western world continued the severe, long and elegant lines of the late 1890s.
1870s Men's Fashions – c. 1870 Men's Fashion Photos with Annotations; From Reforming Fashion, 1850-1914: Politics, Health, and Art, Ohio State University : Reda silk brocade tea gown, c. 1876; Brown challis tean gown in Liberty of London fabric, c. 1877 "19th Century Women's Fashion". Fashion, Jewellery & Accessories. Victoria and Albert Museum
Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. (ISBN 0-89676-083-9) Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660.
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
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