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She became better known as Lady Butler after her marriage to William Butler in 1877. The painting is 97.2 centimeters (38.3 in) high and 216.2 centimeters (85.1 in) wide. It is in the National Gallery of Victoria, Melbourne, Australia. [1]
Lady Butler developed a reputation for her military pictures after the favourable reception of this painting. It was followed by a series of military paintings, Quatre Bras in 1875, and then two more Crimean paintings, Balaclava and Inkermann , exhibited at the Fine Art Society in 1876 and 1877.
Elizabeth Southerden Thompson (3 November 1846 – 2 October 1933), later known as Lady Butler, [1] was a British painter who specialised in painting scenes from British military campaigns and battles, including the Crimean War and the Napoleonic Wars.
Traditionally, governesses taught "the three Rs" (reading, writing, and arithmetic) [5] to young children.They also taught the "accomplishments" expected of upper-class and middle-class women to the young girls under their care, such as French or another language, the piano or another musical instrument, and often painting (usually the more ladylike watercolours, rather than oils) or poetry.
Josephine Elizabeth Butler (née Grey; 13 April 1828 – 30 December 1906) was an English feminist and social reformer in the Victorian era. She campaigned for women's suffrage , the right of women to better education, the end of coverture in British law, the repeal of the Contagious Diseases Acts , the abolition of child prostitution and an ...
British painting had been strongly influenced by Joshua Reynolds (1723–1792), the first president of the Royal Academy of Arts, who believed that the purpose of art was "to conceive and represent their subjects in a poetical manner, not confined to mere matter of fact", and that artists should aspire to emulate the Italian Renaissance painter Raphael in making their subjects appear as close ...
In an effort to discourage alcohol consumption during the late 19th century, British temperance groups produced and circulated "drink maps" showing where people in particular cities could buy booze.
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Goldthorpe, Caroline: From Queen to Empress: Victorian Dress 1837–1877, Metropolitan Museum of Art, New York, 1988, ISBN 0-87099-535-9 (full text available online from the Metropolitan Museum of Art Digital Collections)