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In scenes for a movie the microphone may be held above, out of the picture frame. Processing: If the signal is destined to be heavily processed, or mixed down, a different type of input may be required. The use of a windscreen for outdoor recording or a pop shield to reduce vocal plosives.
ORTF setup. The ORTF stereo technique, also known as side-other-side, is a microphone technique used to record stereo sound.It was devised around 1960 at the now-defunct Office de Radiodiffusion Télévision Française (ORTF).
Example of microphone positioning in a Decca Tree setup. A Decca Tree setup uses three omnidirectional microphones arranged in a "T" pattern outlining a triangle, often equilateral; the center microphone is mixed with the two spaced microphones to fill the "hole in the middle" in their imaging; it points the sound source.
Proximity effect can be viewed in two ways. In some settings, sound engineers may view it as undesirable, and so the type of microphone or microphone practice may be chosen in order to reduce the proximity effect. On the other hand, some microphone users seek to intentionally use the proximity effect, such as beat boxing singers in hip hop music.
With this technique is the angle between the microphone axes α = ± 55° = 110° and the distance between the cardioid microphones (microphone basis) is in this case a = 17 cm and gives a total recording angle of 96°. The choice between one and the other depends on the recording angle of the microphone system and not on the distance to and ...
The 77-DX has been used on countless vocal recordings by Bing Crosby, Kate Smith, Frank Sinatra, Elvis Presley, Johnny Cash, Al Green, and many others. It is still sought after today for use in recording brass instruments. Audio engineers experienced with the 77-DX can position the microphone at different angles to modify its frequency response.
A monitor engineer and console at an outdoor event. Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones (for drum kit, lead vocals and acoustic instruments like piano or saxophone and pickups for instruments such as electric bass ...
The pickup patterns of the pair, combined with their positioning, delivers a high degree of stereo separation in the source signal, as well as the room ambiance. The Blumlein pair produces an exceptionally realistic stereo image, but the quality of recordings is highly dependent on the acoustics of the room and the size of the sound source.
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