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The mandala in Nichiren Buddhism is a moji-mandala (文字曼陀羅), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities, and certain Buddhist concepts.
The subjects of the hymns cover a wider spectrum than in the other books, dedicated not only to deities or natural phenomena, including deities that are not prominent enough to receive their own hymns in the other books (Nirrti 10.59, Asamati 10.60, Ratri 10.127, Aranyani 10.146, Indrani 10.159), but also to objects like dice (10.34), herbs (10.97), press-stones (for Soma, 10.94, 175) and ...
[1] [2] Bindu is the point around which the mandala is created, representing the Universe. [3] Bindu is often merged with [seed] (or sperm) and ova. In the Yogachudamani Upanishad Bindu is a duality, with a white Bindu representing shukla (pure) and a red Bindu representing maharaj .
The Veda begins with a small book addressed to Agni, Indra, Soma and other gods, all arranged according to decreasing total number of hymns in each deity collection; for each deity series, the hymns progress from longer to shorter ones, but the number of hymns per book increases. Finally, the meter too is systematically arranged from jagati and ...
Sāyaṇācārya, a Sanskrit scholar, wrote a treatise on the Vedas in the book Vedartha Prakasha (meaning "of Vedas made as a manifest"). The Rigveda Samhita is available here. This book was translated from Sanskrit to English by Max Müller in the year 1856. H. H. Wilson also translated this book into English as Rigveda Sanhita in the year 1856.
The Nāsadīya Sūkta (after the incipit ná ásat, or "not the non-existent"), also known as the Hymn of Creation, is the 129th hymn of the 10th mandala of the Rigveda (10:129). It is concerned with cosmology and the origin of the universe. [1] The Nāsadīya Sūkta has been the subject of extensive scholarly attention.
The Mandala brahmana Upanishad is structured as five Mandala (books, or Brahmana in some manuscripts), each with varying number of chapters. [16] [8] It opens with a praise for the Vedic sage Yajnavalkya, who the text asserts went to the world of Surya (Sun), where he meets the Purusha of the Sun, asks, "Pray, tell me all the tattva (truth) about the Atman (soul, self)?"
These books are arranged neither by subject nor by authors (as is the case with the other Vedas), but by the length of the hymns. [30] Each book generally has hymns of about a similar number of verses, and the surviving manuscripts label the book with the shortest hymns as Book 1, and then in an increasing order (a few manuscripts do the opposite).