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Furniture music: «Tapisserie en Fer forgé», 1924. Although other selections of Erik Satie's music can be experienced (and are sometimes indicated) as furniture music, Satie himself applied the name only to five short pieces, composed in three separate sets: 1st set (1917), for flute, clarinet and strings, plus a trumpet for the first piece: 1.
Utilizing the Pabst customer list, provided by the cabinetmaker's daughter Emma Pabst Reisser, Hathaway tracked down furniture still owned by the customers' descendants. The Lea dining room suite and music cabinet, the Ingersoll cabinets, and several other pieces were loaned to PMA for a 1933 exhibition on Victorian art and decorative arts. [70]
Very often these were designed as items of household furniture, with a large wooden cabinet on legs. These units were monaural, and featured a single integrated loudspeaker in the main body of the cabinet. [3] The 1950s and 60s marked the transition from mono to stereophonic sound. Before the widespread adoption of stereo technology, the home ...
A 3 × 6 stack of Marshall ModeFour guitar cabinets on the main stage of Tuska Open Air Metal Festival in 2008. This setup belonged to Jeff Hanneman of Slayer.. Marshall Amplification, (since 2023 a subsidiary of Swedish based Marshall Group) is a Swedish/British company that designs and manufactures music amplifiers and speaker cabinets.
This model soon became the SM-400. SWR then pursued development of a speaker cabinet to accompany its amps. In 1986, SWR released the Goliath, a 4 x 10" full-range speaker cabinet with a built-in horn tweeter, a first for bass cabinets. The company's name was changed to SWR Sound Corporation on 1 December 1997 as part of a restructuring plan.
The thinner ply of the top of the cabinet adds a certain resonance as well. Like an acoustic instrument, a Leslie's tone is uniquely defined by its cabinet design and construction, the amplifier, crossover and speakers used, and the motors—not merely by the spinning of rotors. [49]
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