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Furniture music: «Tapisserie en Fer forgé», 1924. Although other selections of Erik Satie's music can be experienced (and are sometimes indicated) as furniture music, Satie himself applied the name only to five short pieces, composed in three separate sets: 1st set (1917), for flute, clarinet and strings, plus a trumpet for the first piece: 1.
Taan (Hindi: तान, Urdu: تان) is a technique used in the vocal performance of a raga in Hindustani classical music.It involves the improvisation of very rapid melodic passages using vowels, often the long "a" as in the word "far", and it targets at improvising and to expand weaving together the notes in a fast tempo.
Roshan (music director) Mukesh (singer) Hindi: Bhairavi: Laga, Chunari Mein Daag Dil Hi To Hai: Roshan (music director) Manna Dey: Hindi: Bhairavi: Phool Gendava Na Maaro Dooj Ka Chaand Roshan (music director) Manna Dey: Hindi: Bhairavi: Albeli Naar Pritam Dwar Main Shadi Karne Chala(1962 Film) Chitragupt (composer) Manna Dey: Hindi: Bhairavi ...
Composer Siddhartha Khosla broke down the creation of the theme song for Hulu’s “Only Murders in the Building” in a recent episode of "Song Exploder," detailing his influences from Hindi ...
Thumri (Hindi: [ˈʈʰʊmɾiː]) is a vocal genre or style of Indian music. [1] [2] The term "thumri" is derived from the Hindi verb thumuknaa, which means "to walk with a dancing gait in such a way that the ankle-bells tinkle."
“For us, music is freedom and once you’re in a band, you have a role,” Mosqueda says. “Chucho and me, we can do whatever we want. Chucho can make the baselines…I can sing, Chucho can ...
In the music video, Nora Fatehi performs belly dancing, an Arabic dance style that was previously featured in a number of popular Bollywood item numbers, performed by actresses such as Helen in "Mehbooba O Mehbooba" from Sholay (1975), Zeenat Aman in "Raqqasa Mera Naam" from The Great Gambler (1979), Mallika Sherawat in "Mayya Mayya" from Guru ...
Rāga is a melodic framework for improvisation based on the idea that certain characteristic patterns of notes (svara) evoke a heightened state of emotion.These patterns of notes are a fusion of scalar and melodic elements, and each raga can be described in terms of its ascending lines (āroha) and descending lines (avaroha), as well in terms of its characteristic melodic figures in which ...