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In rhetoric, epizeuxis, also known as palilogia, is the repetition of a word or phrase in immediate succession, typically within the same sentence, for vehemence or emphasis. [ 1 ] [ 2 ] A closely related rhetorical device is diacope , which involves word repetition that is broken up by a single intervening word, or a small number of ...
Canción ("song") is a popular genre of Latin American music, particularly in Cuba, where many of the compositions originate. [1] Its roots lie in Spanish popular song forms, including tiranas, polos and boleros; also in Italian light operetta, French romanza, and the slow waltz.
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Diciendo a gascones Gloria sea en el Cielo Y paz en el suelo pues Jesús nasciera. "I saw a thousand boys (angels) go singing, here making a thousand voices while flying, telling the shepherds of glory in the heavens, and peace to the world since Jesus has been born" [ 9 ]
In both the Portuguese and English versions of the lyrics, "it" is a stick, a stone, a sliver of glass, a scratch, a cliff, a knot in the wood, a fish, a pin, the end of the road, and many other things, although some specific references to Brazilian culture (festa da cumeeira, garrafa de cana), flora (peroba do campo), folklore and fauna (Matita Pereira) were intentionally omitted from the ...
Daddy Yankee crossed an item off his bucket list by working with Nile Rodgers (pictured). "Agua" was written by Daddy Yankee, Rauw Alejandro, Nile Rodgers, David "Raey" Fajardo, David "Scott Summers" Macías, Emmanuel "Eman" Anene, Gary Walker, Play-N-Skillz members Juan and Oscar Salinas, Rafael "Reggi El Auténtico" Aponte, and Raúl "Rey Santana" Treviño. [3]
[2] [3] At first the album did not have much commercial success, being practically discontinued in a few months. But Jesus Quintero, de Lucía's representative at that time, and several other journalists were determined that "Entre dos Aguas" should be heard on the radio. They convinced the record company to edit it as a single, going on sale ...
"Cucurrucucú paloma" (Spanish for Coo-coo dove) is a Mexican huapango-style song written by Tomás Méndez in 1954. [1] The title is an onomatopeic reference to the characteristic call of the mourning dove, which is evoked in the refrain.