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Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
La Belle Strasbourgeoise is the most famous of the circa 1,500 portrait paintings by Largillière, and arguably the most iconic work in the Strasbourg museum. The identity of the depicted woman is unknown: she may be someone from the Strasbourg bourgeoisie, or a young Parisian in disguise (Strasbourg had become part of France only 22 years prior, in 1681), or the painter's own sister, Marie ...
Adrienne (painting) Alicia Markova "The Dying Swan" Aline Chassériau; Equestrian Portrait of Maria Amalia of Saxony; American Collectors (Fred and Marcia Weisman) Amrita Sher-Gil Self Portrait (1931) Amrita Sher-Gil Self-Portrait 7 (1930) Portrait of My Wife, the Painter Anna Ancher; Antea (Parmigianino) Arab Woman (watercolor) L'Arlésienne ...
The Bar (painting) A Bar at the Folies-Bergère; The Bathers (Renoir) Bathers with a Turtle; The Bathers (Cézanne) Beatrice Hastings in Front of a Door; The Beauty; Beijing 2008 (painting) The Beloved (Rossetti) Berlin Street Scene; Bertha Wegmann Painting a Portrait; Bharat Mata (painting) The Black Brunswicker; Black Woman with Child
The Goose Girl is an 1891 painting by William-Adolphe Bouguereau, a French academic painter. The Goose Girl is one of many examples that Bouguereau specialized in paintings of beautiful women and innocent, barefoot, young peasant girls. It is part of the permanent collection of the Herbert F. Johnson Museum of Art at Cornell University. [1]
Painting Andrea Mantegna: An Old Man and his Grandson: Painting Domenico Ghirlandaio: Pastoral Concert: Painting Titian: Madonna of the Rabbit: Painting Titian: Woman with a Mirror: Painting Titian: Venus and Cupid with a Satyr: Painting Antonio da Correggio: Susanna and the Elders: Painting Tintoretto: La Bella Nani: Painting Paolo Veronese ...
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The photograph is an extreme close-up of a woman's upturned face with glass droplets placed on her cheeks to imitate tears. [s 1] [s 4] Sleeping Woman: 1930 Man Ray Paris, France [s 2] See article Behind the Gare Saint-Lazare: 1932 Henri Cartier-Bresson: Paris, France 35 mm [s 1] [s 2] [s 3]