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On 24 December 1906, Reginald Fessenden, a Canadian inventor and radio pioneer, broadcast the first AM radio program, which started with a phonograph record of "Ombra mai fu ". [ 4 ] [ 5 ] A 1980s electronic mix instrumental version of the aria can be heard in the cherry blossom viewing scene and forms a central part of Kon Ichikawa 's 1983 ...
I think this is a fine example of the late-period Caruso, as well as being a fine example of the popular use of "Ombra mai fù" for the centuries before the revival of interest in Handel's operas. Nominate and support. Shoemaker's Holiday 03:11, 28 February 2009 (UTC) Support per nom. Durova Charge! 21:35, 2 March 2009 (UTC)
Bononcini's Xerse was in turn adapted by Handel in his Serse with a third (and best known) version of "Ombra mai fu". Bononcini's song "Vado ben spesso cangiando loco" was used by Franz Liszt in his suite for piano Années de pèlerinage : Deuxième année: Italie under the erroneous title " Canzonetta del Salvator Rosa ".
The King of Persia, Serse, gives effusive, loving thanks to the plane tree for furnishing him with shade (Arioso: "Ombra mai fu"). His brother Arsamene, with his buffoonish servant Elviro, enters, looking for Arsamene's sweetheart Romilda. They stop as they hear her singing from the summerhouse. Romilda is making gentle fun of Serse with her song.
File: Enrico Caruso, George Frideric Handel, Ombra mai fu (Serse).ogg
Movement Type Grove [1] reference Händel-Gesellschaft reference Hallische Händel-Ausgabe reference Notes 1 Prelude: 107 xlviii, 149 The prelude did not appear in the first edition published by John Walsh [2] and was taken from Handel's keyboard suite HWV 428.
"Largo" is the opening aria from Handel's opera Serse (Xerxes), a popular composition titled "Ombra mai fu" but usually nicknamed "Largo" (despite being larghetto). "Laurelei" is a variant spelling of the Lorelei Rhine maiden, so as not to conflict with a song by fellow 4AD artists Cocteau Twins .
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