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In his lecture in February 1920 on Britain's surplus of young women caused by the loss of young men in war, Dr. R. Murray-Leslie criticized "the social butterfly type... the frivolous, scantily-clad, jazzing flapper, irresponsible and undisciplined, to whom a dance, a new hat, or a man with a car, were of more importance than the fate of ...
Mary Louise Brooks (November 14, 1906 – August 8, 1985) was an American film actress during the 1920s and 1930s. She is regarded today as an icon of the flapper culture, in part due to the bob hairstyle that she helped popularize during the prime of her career.
Dance clubs became enormously popular in the 1920s. Their popularity peaked in the late 1920s and reached into the early 1930s. Dance music came to dominate all forms of popular music by the late 1920s. Classical pieces, operettas, folk music, etc., were all transformed into popular dancing melodies to satiate the public craze for dancing.
Flappers often performed the dance in the 1920s. The origin of the name is often falsely attributed to Gilda Gray, a Polish emigrant to America. An anecdote says that when she was asked about her dancing style, she answered, in heavy accent, "I'm shaking my chemise". In an interview Gilda denied having said this, and earlier usages of the word ...
In 1928, Crawford starred opposite Ramón Novarro in Across to Singapore, but it was her role as Diana Medford in Our Dancing Daughters (1928) that catapulted her to stardom. The role established her as a symbol of modern 1920s-style femininity who rivaled Clara Bow, the original It girl, and Hollywood's foremost flapper.
She is also credited with introducing American women in 1913 or 1914 to the bob – the short, boyish hairstyle favored by flappers in the 1920s. [8] The elegant, yet simple, flowing gowns Irene wore on stage and screen were regularly featured in Vogue , Harper's Bazaar and other fashion magazines.
Our Dancing Daughters is a 1928 American synchronized sound drama film starring Joan Crawford and John Mack Brown about the "loosening of youth morals" that took place during the 1920s. The film was directed by Harry Beaumont and produced by Hunt Stromberg .
Articles relating to flappers and their depictions, a subculture of young Western women in the 1920s who wore short skirts (knee height was considered short during that period), bobbed their hair, listened to jazz, and flaunted their disdain for what was then considered acceptable behavior.
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