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Through the lyrics Chlöe embraces of her sexuality while also teasing and flaunting it. In the music video you can see her and other women twerking and moving their bodies in a sexual manner. Chlöe has also displayed raunch aesthetics through provocative post on social media to promote body positivity and acceptance of self.
Its music video had over 6,000,000 views on YouTube by the end of the year. [4] She also made her live debut with a performance supporting Sydney-based duo, Lime Cordiale, in April. [5] Her third single, "Beautiful & Bittersweet" (stylised in all-caps), was released in August 2020, [6] alongside a lyric video. [7]
"Aesthetics of Hate" was written by Robb Flynn as a retaliation to an article by William Grim for the website Iconoclast. Titled "Aesthetics of Hate: R.I.P. Dimebag Abbott, & Good Riddance", Grim wrote the article stating Darrell was "part of a generation that has confused sputum with art and involuntary reflex actions with emotion", "an ignorant, barbaric, untalented possessor of a guitar ...
A femme fatale-influenced music video was uploaded to Ultra's YouTube channel simultaneously with the single's release, portraying Istrefi within a murderous aesthetic. Commercially, the song peaked atop in Albania and reached the top 30 in the Commonwealth of Independent States (CIS) as well as the top 50 on Billboard US Dance/Electronic Songs ...
It also became a top 40 hit in Belgium, Denmark, Norway, and Sweden. To promote the song, a lyric video including female fans and artists, such as Sheryl Crow, Sara Bareilles, Christina Perri and others, without any makeup on, to emphasize the song message, was released on June 10, 2014. Later, an official music video was released on July 8, 2014.
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A black and white music video, directed by James Booth, was released on 5 October 2012. [39] A video, directed by Adam Powell and set to the album version of the song, was released on 26 July 2013. [40] Eschewing their signature black and white aesthetic, [41] Healy called the shift
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