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In 2006, the Archive removed all 34,000 tablatures on the site. [5] A note posted on the site indicated that those running the site had received "a 'take down' letter from lawyers representing the National Music Publishers Association and the Music Publishers Association", according to the linked letter on the front page. [6]
William George Moore (April 23, 1931 – November 6, 2002 [1]) was a musician and composer from Georgetown, Guyana. Moore had been one of the lead vocalists in the male group The Four Lords. [ 2 ] He died in destitution in 2002 at the Georgetown Public Hospital .
The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
Billy Moore (musician, born 1931) (1931–2002), Guyana Caribbean musician Wild Bill Moore (1918–1983), tenor saxophone player Expos William Moore (critic) (1868–1937), Australian art critic and author
William Moore Jr. (December 7, 1917, Parkersburg, West Virginia — February 28, 1989, Copenhagen) was an American jazz pianist and arranger. Moore was chiefly known as an arranger for most of his jazz career, writing charts for Jimmie Lunceford , Charlie Barnet , Jan Savitt , and Tommy Dorsey in the 1940s.
All or Nothing at All is a studio album by Billie Holiday, released in 1958 on Verve Records, catalog MGV8329. [4] There are 12 songs on the LP taken from five different recording sessions that took place in 1956 and 1957. [ 5 ]
Frank Sinatra's August 31, 1939 [5] recording of the song, accompanied by Harry James and his Orchestra was a huge hit in 1943, when it was reissued by Columbia Records during the 1942-44 musicians' strike. [6]
A power chord Play ⓘ, also called a fifth chord, is a colloquial name for a chord on guitar, especially on electric guitar, that consists of the root note and the fifth, as well as possibly octaves of those notes. Power chords are commonly played with an amp with intentionally added distortion or overdrive effects.
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