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Bowls (1916) by Paul Strand Bowls , also known as Abstraction, Bowls , is a black and white photograph taken by Paul Strand in 1916. The photograph has elements of cubism and abstractionism , and exemplifies his style at the time.
Segmented turning, also known as polychromatic turning, is a form of woodturning on a lathe where the initial workpiece is composed of multiple parts glued together. The process involves gluing several pieces of wood to create patterns and visual effects in turned projects.
Once logs arrive at the Great Alaskan Bowl Co., they go through a 22-step process of carving, sanding and oiling to become wooden bowls, says cutter and sander Klaus Reeck.
Detail of woodturning in work A turned wood bowl with natural edges Bowl turning. Woodturning is the craft of using a wood lathe with hand-held tools to cut a shape that is symmetrical around the axis of rotation. Like the potter's wheel, the wood lathe is a mechanism that can generate a variety of forms.
Angelica Vasquez Cruz is known for her figures of women, mermaids and angels. Vasquez is a single mother who raised four children, making money and a name by the making of these figures. She has won numerous awards for her intense and intricate work. Her clay images are almost always focused on a strong female figure.
Modern bowls can be made of ceramic, metal, wood, plastic, and other materials. Bowls have been made for thousands of years. Very early bowls have been found in China, Ancient Greece, Crete and in certain Native American cultures. In Ancient Greek pottery, small bowls, including phiales and pateras, and bowl-shaped cups called kylices were used
In the visual arts, a design may be segmented or seriate—a "discontinuous aggregate in which the units of the whole are discrete and share equal value with the other units." [8] Such elements can be seen in Ifa trays and bowls, veranda posts, carved doors, and ancestral masks.
This can be done manually with prints or by using digital image editing software and may resemble a wide-angle or panoramic view of a scene, similar in effect to segmented panoramic photography or image stitching. A joiner is distinct because the overlapping edges between adjacent pictures are not removed; the edge becomes part of the picture.
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