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Shí naashá (I'm going) is a Navajo song, composed in 1868 to commemorate the release of the Navajo from internment at Fort Sumner. [1] The song's lyrics express the elation of the Navajo people on the occasion of their return to their homeland. The word hózhǫ́ (beauty), a major concept in Navajo spirituality, is used throughout the song. [2]
"Along the Navajo Trail" is a country/pop song, written by Dick Charles (pseudonym for Richard Charles Krieg), Larry Markes and Eddie DeLange in 1945, and first recorded by Dinah Shore in May 1945. [ 1 ]
Navajo music is music made by the Navajos, mostly hailing from the Four Corners region of the Southwestern United States and the territory of the Navajo Nation.While it traditionally takes the shape of ceremonial chants and echoes themes found in Diné Bahaneʼ, contemporary Navajo music includes a wide range of genres, ranging from country music to rock and rap, performed in both English and ...
Released in 1994, it achieved a great success in various countries, including France, where it topped the singles chart. It was sung in the Navajo language by Navajo elder Kee Chee Jake from Chinle, Arizona. The song is a remixed version of a portion of the Navajo Shoe Game song (a part of the origin myth describing a game played among the day ...
Peyote songs began with the blend of the Ute music style with Navajo singing. [1] Ed Tiendle Yeahquo composed over 120 peyote songs, many are still sung in NAC today. Vocal style, melodic contour, and rhythm in Peyote songs is closer to Apache than Plains, featuring only two durational values, predominating thirds and fifths of Apache music with the tile-type melodic contour, incomplete ...
"Across the Alley from the Alamo" is a song written in 1946 by Joe Greene, which has become a jazz standard. Greene's whimsical lyrics (reputed to have been inspired by a dream), [1] concern a Navajo Indian and his pinto pony. The pair have an easygoing life until they take a walking vacation along a railroad track and are never seen again. [2]
The Navajo song ceremonial complex is a spiritual practice used by certain Navajo ceremonial people to restore and maintain balance and harmony in the lives of the people. One half of the ceremonial complex is the Blessing Way, while the other half is the Enemy Way ( Anaʼí Ndááʼ ).
Sainte-Marie recorded the song again for her 1968 album I'm Gonna Be a Country Girl Again, updating the lyrics from "that of the Seneca and the Cheyenne" to "that of the Chippewa and the Cheyenne" and again for the 1996 album Up Where We Belong with the lyrics "the government now wants the Navajo land, that of the Inuit and the Cheyenne."