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Newark, New Jersey, 1912. From roughly 1860 to 1920 [1] [2] painted photography backdrops were a standard feature of early photography studios. Generally of rustic or quasi-classical design, but sometimes presenting a bourgeoisie trompe-l'œil, [3] they eventually fell out of fashion with the advent of the Brownie and Kodak cameras which brought photography to the masses with concurrent ...
Walter Friedrich, a precisions engineer, together with his wife, began to manufacture commodities for professional photographers in their rented home's small basement. He called his startup Fotogeräte- und Elektroapparate-Bau ("Manufacturing of photographic and electrical equipment"), or FOBA.
Backdrop or Bankdrops may refer to: Backdrop (theater), painted scenery hung at the back of a stage; Backdrop (wrestling), various types of throws in amateur and professional wrestling; Painted photography backdrops, used in studio photography circa 1860-1920; Backdrop CMS, a website content management system
With advancement in camera lenses, lighting and other techniques and equipment, studio photography gained hold and it became quite easier to produce images within a studio. Storefront of an 1850s portrait studio, Sovereign Hill, Australia. The first commercial use of photography was in the production of portraits. Photography replaced painting ...
In 1865 the business branched out into studio photography. [7] [6] M. Allen & Co. was one of the first commercial photography studios in Dublin, [7] competing with over 70 studios and adapting with the times during Ireland's period of ‘photomania’. [8] Margaret painted backdrops and likely hand-tinted photographic prints. [9]
C.C. Curtis was born in Marshalltown, Iowa, on May 28, 1862.He moved to California at the age of 19 and began his photography career as an apprentice in San Francisco. He quickly developed a passion for the craft and began traveling throughout the San Joaquin Valley with his bulky and heavy glass plate photography equipment, using a donkey as his mode of transportation.
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