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  2. Live looping - Wikipedia

    en.wikipedia.org/wiki/Live_looping

    The first dedicated loop device was the Paradis LOOP Delay. [6] The Paradis and other models had volatile memories, forcing composers to develop fresh loops live in front of their audiences — and thus, live looping came into existence. Roland and DigiTech loop pedals entered the market in 2001, around the same time DJ mixing gained popularity ...

  3. Effects unit - Wikipedia

    en.wikipedia.org/wiki/Effects_unit

    By using a looper pedal, a singer-guitarist in a one person band can play the backing chords (or riffs) to a song, loop them with the pedal, and then sing and do a guitar solo over the chords. Some units allow a performer to layer multiple loops, enabling the performer to create the effect of a full band. [109]

  4. Loop (music) - Wikipedia

    en.wikipedia.org/wiki/Loop_(music)

    Ditto looper pedal. Today, many musicians use digital hardware and software devices to create and modify loops, often in conjunction with various electronic musical effects. A loop can be created by a looper pedal, a device that records the signal from a guitar or other audio source and then plays the recorded passage over and over again. [13]

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  6. Electro-Harmonix - Wikipedia

    en.wikipedia.org/wiki/Electro-Harmonix

    Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...

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  8. Dumble Amplifiers - Wikipedia

    en.wikipedia.org/wiki/Dumble_Amplifiers

    A few Dumble amps have a Dumbleator circuit built in, but most have "un-buffered" input jacks that tap directly out of the pre-amp and into the power amp. Dumble likely created this external loop because of the difficulty of fitting effects loop buffering into the amplifier chassis (and the limited use of effects loops for most players).

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