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In the Netherlands, where Descartes had lived for a long time, Cartesianism was a doctrine popular mainly among university professors and lecturers.In Germany the influence of this doctrine was not relevant and followers of Cartesianism in the German-speaking border regions between these countries (e.g., the iatromathematician Yvo Gaukes from East Frisia) frequently chose to publish their ...
The Xooy [1] [2] (meaning "macerate" in Serer, [3] sometimes spelled Xoy [4] or Khoy [5]) is a Serer divination ceremony held once a year in Fatick, Senegal. The Xooy is one of the most important and well known ceremonies in the Serer religious calendar, and is a national event in Senegal's cultural calendar which attracts government officials ...
Libro de la invencion liberal y arte del juego del axedrez (translation: "Book of the liberal invention and art of the game of chess") is one of the first books published about modern chess in Europe, after Pedro Damiano's 1512 book. It was written by Spanish priest Ruy López de Segura in 1561 and published in Alcalá de Henares.
Book Marks reported that the book received "positive" reviews based on 7 critic reviews with 2 being "rave" and 5 being "positive". [7] Writing for The Guardian, Ian Thomson praised the "lucid" writing, translation, and compared it to Seven Brief Lessons on Physics, describing it as a "a deeper, more abstruse meditation" but "jargon-free". [2]
The first person to raise this criticism was Marin Mersenne, in the "Second Set of Objections" to the Meditations: . You are not yet certain of the existence of God, and you say that you are not certain of anything.
For example, the poem ends with a request for wine for the person who has recited it (Es leido, dadnos del vino). On the other hand, some critics (known as individualists) believe El Cantar de mio Cid was composed by one Per Abbad (in English, Abbot Peter [4]) who appears to be credited as the writer of the work in a colophon to the text.
The curl of a vector field F, denoted by curl F, or , or rot F, is an operator that maps C k functions in R 3 to C k−1 functions in R 3, and in particular, it maps continuously differentiable functions R 3 → R 3 to continuous functions R 3 → R 3.
A musician playing a rāga, states Bruno Nettl, may traditionally use just these notes but is free to emphasize or improvise certain degrees of the scale. [6] The Indian tradition suggests a certain sequencing of how the musician moves from note to note for each rāga , in order for the performance to create a rasa (mood, atmosphere, essence ...