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Hindi literature is composed in three broad styles- prose (गद्य, gadya), poetry (पद्य, padya), and prosimetrum (चंपू, campū). [1] Inspired by Bengali literature , Bharatendu Harishchandra started the modern Hindi literary practices.
In the Hindustani Academy library, there are 25,000 books available in Hindi, Urdu, Sanskrit, English, Bengali, Marathi, Gujarati, and other Indian languages. It also includes three hundred ancient manuscripts, comprising handwritten and monoblock printed copies, along with a collection of over 8,000 literary magazines and newspapers.
She significantly impacted Hindi literature by refining the language and infusing poetry with heartfelt acceptance of Indian philosophy. Her unique blend of emotional intensity, lyrical simplicity, and evocative imagery, along with her contributions as a translator and scholar, solidified her position as a leading figure of the Chhayavad movement.
Pages in category "Hindi-language literature" The following 49 pages are in this category, out of 49 total. This list may not reflect recent changes. A. Alha-Khand;
The Sun's Seventh Horse (Hindi: सूरज का सातवाँ घोड़ा; Suraj Ka Satvan Ghoda) is a 1952 Hindi meta fiction novel by Dharamvir Bharati, one of the pioneers of modern Hindi literature. [1] The novel presents three related narratives about three women: Jamuna, Sati, and Lily.
Gulabrai wrote a history of Hindi literature, Hindi sahitya ka subodh itihaas and developed a unique style of self-satire, which is very prominent in his biographies titled Meri Asafaltaein and Thalua Club. He also started a literary magazine called Sahitya Sandesh. His works can be broadly divided into three categories. Philosophical.
Pandey Bechan Sharma, better known by his pen name Ugra ('extreme' or 'fierce', Hindi उग्र) (born Chunar, North-Western Provinces, 1900, died Delhi 1967) was an Indian writer noted for his provocative, usually satirical, journalism, fiction and autobiography.
The word bouffon comes from a Latin verb: Latin: buffare, to puff (i.e., to fill the cheeks with air); the word "Buffo" was used in the Theatre of ancient Rome by those who appeared on the stage with their cheeks blown up; when they received blows they would make a great noise, causing the audience to laugh. [2]