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A longma (lower left corner) on a rubbing from the Wu Liang shrines' reliefs. Longma or "dragon horse" connects with other creatures in Chinese folklore.While longma sometimes applies to the Qilin, [13] the closest relative is the legendary tianma 天馬 "heavenly horse" or the "Chinese Pegasus", which was metaphorically identified with the hanxuema 汗血馬 "blood-sweating horse" or Ferghana ...
[1] [2] [3] The hollow dragon's head was mounted on a pole with a fabric tube affixed at the rear. In use, the draco was held up into the wind, or above the head of a horseman, where it filled with air and gave the impression it was alive while making a shrill sound as the wind passed through its strips of material.
A mythological hybrid, it is a scaly animal with hind legs resembling the talons of an eagle, lion-like forelimbs, a long neck and tail, two horns on its head, a snake-like tongue, and a crest. The mušḫuššu most famously appears on the Ishtar Gate of the city of Babylon , dating to the sixth century BCE.
Nue – A Japanese Chimera with the head of a monkey, the legs of a tiger, the body of a Japanese raccoon dog, and the front half of a snake for a tail. Qilin – A Chinese creature with the head and scales of a dragon, the antlers of a deer, the hooves of an ox, and the tail of a lion. The Japanese version is described as a deer-shaped dragon ...
Bellerophon [1] or Bellerophontes (Ancient Greek: Βελλεροφών; Βελλεροφόντης; lit. "slayer of Belleros") or Hipponous (Ancient Greek: Ἱππόνοος; lit. "horse-knower"), [2] was a divine Corinthian hero of Greek mythology, the son of Poseidon and Eurynome, and the foster son of Glaukos.
It consisted of a bronze dragon head with a fabric body similar in shape to a tail behind it. Wind flowed through the gaping mouth and billowed out the cloth tail much like a modern windsock . It is thought that some form of whistle was mounted in the dragon's neck to make a terrifying noise when galloping.
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The Horses of Neptune, illustration by Walter Crane, 1893. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.