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"Winged genie", Nimrud c. 870 BC, with inscription running across his midriff. Part of the Lion Hunt of Ashurbanipal, c. 645–635 BC. Assyrian sculpture is the sculpture of the ancient Assyrian states, especially the Neo-Assyrian Empire of 911 to 612 BC, which was centered around the city of Assur in Mesopotamia (modern-day Iraq) which at its height, ruled over all of Mesopotamia, the Levant ...
The carvings come from late in the period of some 250 years over which Assyrian palace reliefs were made, and show the style at its most developed and finest, [6] before decline set in. Ashurbanipal was the last great Assyrian king, and after his reign ended the Neo-Assyrian Empire descended into a period of poorly-recorded civil war between ...
Lamassu at the Iraq Museum, Baghdad.. The goddess Lama appears initially as a mediating goddess who precedes the orans and presents them to the deities. [3] The protective deity is clearly labelled as Lam(m)a in a Kassite stele unearthed at Uruk, in the temple of Ishtar, goddess to which she had been dedicated by king Nazi-Maruttash (1307–1282 BC). [9]
The Statue of Ashurnasirpal II is a rare example of Assyrian sculpture in the round that was found in the mid nineteenth century at the ancient site of Kalhu (now known as Nimrud) by the famous archaeologist Austen Henry Layard. Dating from 883–859 BC, the statue has long been admired for its flawless condition and the high quality of its ...
Tarvos Trigaranus (the "bull with three cranes") is pictured on ancient Gaulish reliefs alongside images of gods, such as in the cathedrals at Trier and at Notre Dame de Paris. In Irish mythology, the Donn Cuailnge and the Finnbhennach are prized bulls that play a central role in the epic Táin Bó Cúailnge ("The Cattle Raid of Cooley").
The Lachish reliefs are a set of Assyrian palace reliefs narrating the story of the Assyrian victory over the kingdom of Judah during the siege of Lachish in 701 BCE. Carved between 700 and 681 BCE, as a decoration of the South-West Palace of Sennacherib in Nineveh (in modern Iraq), the relief is today in the British Museum in London, [3] and was included as item 21 in the BBC Radio 4 series A ...
The Black Obelisk of Shalmaneser III is a black limestone Neo-Assyrian sculpture with many scenes in bas-relief and inscriptions. It comes from Nimrud (ancient Kalhu), in northern Iraq, and commemorates the deeds of King Shalmaneser III (reigned 858–824 BC).
Assyrian palaces had a large public court with a suite of apartments on the east side and a series of large banqueting halls on the south side. This was to become the traditional plan of Assyrian palaces, built and adorned for the glorification of the king. [106] Massive amounts of ivory furniture pieces were found in some palaces.