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[112] [113] There are two theories about the shape of this dome: a Byzantine-style dome on spherical pendentives with a ring of windows similar to domes of the later Justinian era, or an octagonal cloister vault following Roman trends and like the vaulting over the site's contemporary chapel of Saint Aquiline, possibly built with vaulting tubes ...
The meaning of the dome has been extensively analyzed by architectural historians. According to Nicola Camerlenghi, it may not be possible to arrive at a single "fixed meaning and universal significance" for domes across all building types and locations throughout history, since the shape, function, and context for individual buildings were determined locally, even if inspired by distant ...
Typical early Christian Byzantine apse with a hemispherical semi-dome in the Basilica of Sant'Apollinare in Classe Typical floor plan of a cathedral, with the apse shaded. In architecture, an apse (pl.: apses; from Latin absis, 'arch, vault'; from Ancient Greek ἀψίς, apsis, 'arch'; sometimes written apsis; pl.: apsides) is a semicircular recess covered with a hemispherical vault or semi ...
The apparent lightness of its dome may be attributed to both even lighting and the unusual lack of pendentives, with the dome on its circular entablature above eight columns instead. [156] Its use of bulbous domes on the lantern and side towers was also unusual in Italy, where bulbous domes remained rare. [94]
An oculus (from Latin oculus 'eye'; pl.: oculi) is a circular opening in the center of a dome or in a wall. Originating in classical architecture, it is a feature of Byzantine and Neoclassical architecture. A horizontal oculus in the center of a dome is also called opaion (from Ancient Greek ὀπαῖον '(smoke) hole'; pl.: opaia).
The dome is the key feature of Hagia Sophia as the domed basilica is representative of Byzantine architecture. Both of the domes collapsed at different times throughout history due to earthquakes and had to be rebuilt.
Early wooden domes are known only from a literary source, but the use of wooden formwork, concrete, and unskilled labor enabled domes of monumental size in the late Republic and e
The dome over the chamber known today as the Sala de Dos Hermanas ('Hall of the Two Sisters') is one of the most magnificent muqarnas domes in Islamic art, consisting of at least 5000 cells that unfold from a central summit downward into sixteen miniature domes around the dome's perimeter.