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Original - 18th-century anti-vaccination quackery, as satirised by James Gillray. His illustration pokes fun of one of the claims made against the cow pox innoculation: That it would cause cow-like appendages to grow out of the body. Reason I don't believe we have any of James Gillray's work as FP. Without wanting to understate Hogarth's ...
Print (color engraving) published June 12, 1802 by H. Humphrey, St. James's Street. In this cartoon, the British satirist James Gillray caricatured a scene at the Smallpox and Inoculation Hospital at St. Pancras, showing cowpox vaccine being administered to frightened young women, and cows emerging from different parts of people's bodies.
A Hollywood set construction crew arrived on December 22, 1964, to convert the stage for movie purposes. [7] Filming wrapped around January 21, 1965 having begun on January 6. The relatively short shooting schedule was attributed to having done rehearsals in Hollywood prior to filming on location commencing. [ 13 ]
Works by the British caricaturist James Gillray (1756–1815) Pages in category "Works by James Gillray" The following 5 pages are in this category, out of 5 total.
James Gillray (13 August 1756 [1] [2] – 1 June 1815) was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London.
Despite their rom com-heavy résumés, Anne Hathaway and actor-turned-director Michael Showalter had never met prior to collaborating on the May-December love story “The Idea of You,” which ...
Moseley expressed his views before Parliament during investigations into the practice in 1802 and 1808. His outlandish theories were the basis for a satirical cartoon by James Gillray called “The Cow Pock” which portrayed small cows bursting out of human bodies. [4] [3] Moseley died in Southend, a favorite summer vacation spot, in 1819 ...
Shown on the opposition bench are other leaders of the Whig opposition including Charles James Fox. The work was reportedly originally dashed off by Gillray on a scrap of paper in a few hours. [2] Pitt describes the opposition as like a newly opened bottle which "bursts all at once, into an explosion of froth and air". [3]
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