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[2] [3] An official music video was uploaded by Spinnin' Records' YouTube channel two weeks later. [4] On November 7, 2014, Ookay released his debut EP Ghost via Steve Aoki's label Dim Mak Records. [5] When asked about his inspirations of creating the EP, Ookay said "I really wanted to push the boundaries of my skill.
Title Year Album "Gem" (Bare featuring Ookay) 2013 Full Tilt - EP "Tempura Roll" (Yultron featuring Ookay, Kayzo and Dotcom) 2016 Sushi, Friends & Everything Awesome - EP
The "thief" mentioned in the song refers to the tumor. The short clip at the end of the song consisting of a young girl singing a Sunday school song is a real audio clip of Mina Kim singing "Little By Little" with Maida 's wife Chantal Kreviazuk and drummer Jeremy Taggart .
"Thief's Theme" is a single from Nas' double album Street's Disciple, released through Columbia Records, Sony Urban Music, and Nas' Ill Will Records. The single contains vocals from Nas' song " The World Is Yours " from his first album Illmatic :
Lighthouse was noted for its blend of both producers respective styles with Aric Manthey of EDM.com stating "Not all collaborations feel like 50/50 partnerships but in the case of Lighthouse, this collaboration feels like a fair blend of influences from both producers" [10] and Chad Downs of Dancing Astronaut stating "Ookay brings his genre-bending strength to the table in this single, working ...
"Thief" is a single by German synthpop group Camouflage. The single was released on July 12, 1999 via Virgin Records label. The single was later re-recorded and included on their sixth studio album Sensor in 2003.
Thief (1981) is the fifteenth major release and second soundtrack album by Tangerine Dream. It is the soundtrack for the 1981 American neo-noir crime film Thief, directed by Michael Mann. [2] It reached No. 43 on the UK Albums Chart in a 3-week run. "Beach Theme" and "Beach Scene" are two different mixes of the same piece.
"Not" was performed live by Big Thief on The Late Show with Stephen Colbert on October 10, 2019. [16] Claire Shaffer of Rolling Stone described the performance as a "hard-rock spin" on the song with "distorted" guitars and "manic" drums, comparing Adrianne Lenker's "wailing" vocals to that of emo music. [17]