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The characters of Arthur Holmwood and Quincey Morris (in any form) were completely removed, while Dr. Seward was aged up from one of the suitors to father of main female character. He switched the names of female characters, now Mina character was called Lucy Seward, who is the daughter of Dr. Seward and fiancee of Jonathan Harker (named now ...
Dracula is an adaptation, first published in 1996, by American playwright Steven Dietz of Bram Stoker's 1897 novel by the same name. [1] Though it has never run on Broadway, the author lists it among his most financially successful works, and it is frequently performed near Halloween in regional and community theaters. [2]
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Dracula is a 1931 American pre-Code supernatural horror film directed and co-produced by Tod Browning from a screenplay written by Garrett Fort and starring Bela Lugosi in the title role. It is based on the 1924 stage play Dracula by Hamilton Deane and John L. Balderston, which in turn is adapted from the 1897 novel Dracula by Bram Stoker. [3]
Dracula is a film series of horror films from Universal Pictures based on the 1897 novel Dracula by Bram Stoker and its 1927 play adaptation. Film historians have had various interpretations over which projects constitute being in the film series; academics and historians finding narrative continuation between Dracula (1931) and Dracula's Daughter (1936), while holding varying opinions on ...
Dracula (1979 film) Dracula (2006 film) Dracula (miniseries) Dracula (The Dirty Old Man) Dracula 3D; Dracula 2000; Dracula 2012; Dracula 3000; Dracula A.D. 1972; Dracula and Son; Dracula Blows His Cool; Dracula: Dead and Loving It; Dracula Has Risen from the Grave; Dracula II: Ascension; Dracula III: Legacy; Dracula Reborn; Dracula Sir; Dracula ...
The chapel of St Michael, used as the location of Carfax Abbey in the film. Like Universal's earlier 1931 version starring Bela Lugosi, the screenplay for this adaptation of Bram Stoker's novel Dracula is based on the stage adaptation by Hamilton Deane and John L. Balderston, which ran on Broadway and also starred Langella in a Tony Award-nominated performance.
Bram Stoker's Dracula, its partisans contend, is significant in the way that The Exorcist and The Shining were significant, in showing that a horror story can be worthy of an A-list cast and production values, and that a truly imaginative filmmaker can take even a story as hoary as Dracula and give it a new luster. [109]