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Download QR code; Print/export ... This is a list of notable compositions for the flute ... Notes for Flutists: ...
Koncovka, a Slovak overtone flute. The koncovka is a Slovak duct-blown [2] overtone fipple flute without finger holes, [3] traditionally played by shepherds. [4] The koncovka is played by closing and opening the bottom hole of the flute. [3] By increasing the air speed, two different harmonic series of notes can be played with the end either ...
Music for Flute, Strings, and Percussion is a piece written by Sofia Gubaidulina in 1994 dedicated to Pierre-Yves Artaud. The instruments are divided into two sections, one of which is tuned a quarter-tone lower than the other. [1] Gubaidulina (2001) describes, "in this way the potential of treating both halves as 'light' and 'shadow' emerges."
Often beginners in India find themselves in a dilemma on what kind of flute to begin playing on as India has two distinct kinds of transverse flutes. They are the bansuri (North Indian bamboo flute) and the venu (South Indian bamboo flute). The main differences between these two are the raw material, construction and style of playing.
The work contains a number of Celtic music influences. In the program notes to the score, Rouse commented on the particularly Irish influences, saying:. The first and last movements bear the title 'Amhrán' (Gaelic for 'song') and are simple melodic elaborations for the solo flute over the accompaniment of orchestral strings.
The Ten National Airs with Variations for Flute and Piano, Op. 107, were composed by Ludwig van Beethoven in 1818 and 1819. [1] Beethoven wrote this piece based on folk-derived melodies. [ 1 ] This is one of several sets of pieces that Beethoven wrote that are folk-derived.
It is scored for solo flute and strings [1] [2] and was premièred on 24 January 1950 by soloist Jean-Pierre Rampal. [3] Jolivet wrote a concerto for flute and percussion in 1965. [4] The work lasts about 13 minutes. [3] It is now part of the standard flute repertoire and several prominent flautists have recorded it.
In 1979, the neo-traditional art music composer and founder of the Pan African Orchestra of Ghana, Nana Danso Abiam (b. 1953) introduced chromaticism and atonality in atenteben music with a new fingering mechanism that he had developed at the Institute of African Studies, University of Ghana, Legon. This playing mechanism employed for the first ...
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