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Kunjunni (10 May 1927 - 26 March 2006), popularly known as Kunjunni Mash (Mash is the Malayalam equivalent of teacher), was an Indian poet of Malayalam literature.Known for his short poems with a philosophical overtone, his works were popular among children as well as adults.
Kovai Sarala is an Indian actress and comedian, who plays supporting roles in Tamil, Telugu, Malayalam and Kannada films. She has won the Tamil Nadu State Film Award for Best Comedian three times, for her performances in Sathi Leelavathi (1995), Poovellam Un Vasam (2001) and Uliyin Osai (2008). [1]
Kathakali is structured around plays called Attakatha (literally, "enacted story" [2]), written in Sanskritized Malayalam. [ 28 ] [ 30 ] These plays are written in a particular format that helps identify the "action" and the "dialogue" parts of the performance. [ 30 ]
Kottarathil Sankunni (born Vasudevan, 1855–1937) was an Indian writer of Malayalam literature.Best known as the author of Aithihyamala, an eight-volume compilation of century-old legends about Kerala, [1] Sankunni's writings cover prose and poetry, including verses for Kathakali and Ottan Thullal.
In Malayalam, Ramji Rao Speaking (1989), Aey Auto (1990) and In Harihar Nagar (1990) were also successful. She won the Filmfare Award for Best Actress – Malayalam for the film Dasharatham (1989). [3] After a few roles as a heroine, she started to act in character roles, such as sister-in-law and mother.
Kambi may refer to: Kambi Group, a sports betting company; Kampoi, village in Greece This page was last edited on 29 October 2024, at 16:11 (UTC). Text is ...
Sreeramante Kathakal: Short stories – 2000 R. Ramachandran: R. Ramachandrante Kavithakal: Poetry – 2001 Attoor Ravi Varma: Attoor Ravi Varmayute Kavitakal: Poetry 2002 K. G. Sankara Pillai: K.G. Sankara Pillayude Kavitakal: Poems 2003 Sara Joseph: Aalahayude Penmakkal: Novel 2004 Paul Zachariah: Zachariyayute Kathakal: Short Stories 2005 G ...
Popular Malayalam films at the period focused on showing heroic masculinity and completely muted the agential role of women. Shakeela's films, in contrast, stood out because they emphasised her presence to the point where the male roles served as functional filler.