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Viking ship, detail from the Överhogdal tapestries Detail from one of the Överhogdal tapestries The five tapestry pieces Three panels from Överhogdal tapestries. The Överhogdal tapestries (Swedish: Överhogdalstapeten) are a group of extraordinarily well-preserved textiles dating from the late Viking Age or the Early Middle Ages that were discovered in the village of Överhogdal in ...
Several artists have drawn inspiration from the tapestry: A Swedish textile piece drawing inspiration from the tapestry was completed in 1966. It is in the collection of the Vesterheim Norwegian American Museum. [7] A textile pattern for a tapestry inspired by the Baldishol Tapestry is in the collection of the Vänersborgs Museum (Sweden). [8]
Although superficially similar to Back Stitch the Holbein stitch produces a smoother line and a pattern that is identical on both sides of the fabric. It can be worked in straight lines, diagonally, or in a stepped fashion to make a zigzag line and is well suited to creating outlines or intricate filling patterns.
The Lady and the Unicorn: À mon seul désir (Musée national du Moyen Âge, Paris). The Lady and the Unicorn (French: La Dame à la licorne) is the modern title given to a series of six tapestries created in the style of mille-fleurs ("thousand flowers") and woven in Flanders from wool and silk, from designs ("cartoons") drawn in Paris around 1500. [1]
His brother-in-law Francisco Bayeu was made director of the tapestry works in 1777, which greatly advanced the ambitious artist's career prospects. [5] However, Goya was beset by illness during the period, and his condition was used against him by the contemporary art scene, which looked jealously upon any artist seen to be rising in stature.
The Pastoral Amusements, (French: Les Amusements champêtres) is a series of tapestries designed between 1720 and 1730 [1] by Jean-Baptiste Oudry for Noël-Antoine de Mérou, then director of the Royal Beauvais Tapestry Manufactory. The first production of the designs took place at Beauvais in 1731. [2]
Girih is an Islamic decorative art form used in architecture and handicrafts (book covers, tapestry, small metal objects) from the 8th century onwards. It consists of geometric lines that form an interlaced strapwork. Girih patterns are used in varied media including tilework, brickwork, stucco, wood (for example in minbar pulpits) and mosaic ...
Broderie anglaise is characterized by patterns composed of round or oval holes, called eyelets, which are cut out of the fabric, then bound with overcast or buttonhole stitches. [1] The patterns, often depicting flowers, leaves, vines, or stems, are further delineated by simple embroidery stitches made on the surrounding material.