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Yumi goes home and Yamashita is called back to the police station, where a video tape found at the Mizunumas' abandoned apartment reveals that the one abusing Nanako was Mimiko. Marie came home and caught Mimiko slashing Nanako's arm with a knife, whereupon Mimiko had an asthma attack and collapsed.
To help solve the case, Motomiya orders autopsies on all cursed call victims, including Mimiko, all of whom show positive results of having traces of coal dust. In the meantime, Kyoko, Naoto, and Takako visit Mimiko's grandmother Sachie, who describes that Mimiko was conceived after her mother Marie was raped by a crazed intruder.
Before Mimiko can do so, Asuka's computer is overloaded and the two are sent back to their previous places. While parting ways with Emiri, Jin-woo snatches her phone (which still has the curse), and forwards the message to himself. Afterwards, he is violently killed as Emiri watches in shock.
[citation needed] In 2007, Dailymotion created ASIC, together with other companies in the sector. [7] Dailymotion supports a high-definition video resolution of 720p since February 2008, making it one of the earliest known HD video platforms. [4] [5] In October 2009, the French government invested in Dailymotion through the Strategic Investment ...
Kiyoko Shibuya (渋谷 紀世子, Shibuya Kiyoko, born 1970) is a Japanese visual effects director and film producer. She has worked on all of acclaimed filmmaker Takashi Yamazaki's films to date and has received four VFX-Japan Awards for her efforts, along with an Academy Award for Best Visual Effects for Godzilla Minus One (2023), making Shibuya the first woman of color to win in this category.
Drunk and relaxed, Eno reveals that he has been saving ¥700,000 to build a bomb so he can commit a suicide bombing in a busy street in Shibuya, which he claims will send him and his victims to Hiruko's realm, a place he likens to paradise. Shiraishi resolves to stop Eno, but on the way home he sees Eno's head surrounded by the leech-like ...
Shibuya "worked with equal facility in comedy and melodrama, [and] made his mark as an ironic but compassionate chronicler of the difficulties of the early postwar period". [3] One notable film was The Radish and the Carrot, which was supposed to be Ozu's next film before he died. But as the critic Chris Fujiwara notes, Shibuya's "films are a ...
Shibuya went on to design graphics for other Final Fantasy games, most notably the iconic chibi versions of characters, monsters, fonts, and menus. She was the primary pixel artist for many well-known games including entries in the SaGa series and Mana series (of which she created all the graphics for the first game).