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Jack O'Hagan (1898–1987) was an Australian musician from Fitzroy, Victoria who was working at Allans Music in Melbourne where he played sheet music for potential customers. [2] O'Hagan started writing his own songs in 1916 with "Along the Road to Gundagai" appearing in 1922 on Allans Music which was written for voice and piano, with ukulele ...
List of musical chords Name Chord on C ... 0 1 4 6 7 t: Bitonal Power chord P5: ... Approach chord; Chord names and symbols (popular music)
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale.
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
Another common tuning for the soprano ukulele is the higher string-tension D 6 tuning (or simply D tuning), A 4 –D 4 –F ♯ 4 –B 4, one step higher than the G 4 –C 4 –E 4 –A 4 tuning. Once considered standard, this tuning was commonly used during the Hawaiian music boom of the early 20th century, and is often seen in sheet music ...
A power chord Play ⓘ, also called a fifth chord, is a colloquial name for a chord on guitar, especially on electric guitar, that consists of the root note and the fifth, as well as possibly octaves of those notes. Power chords are commonly played with an amp with intentionally added distortion or overdrive effects.
For chords, the numbers to play are shown, so, for example: a C major (CEG) chord (on a C diatonic instrument): 456e However, they may simplify it, especially when playing blues. For chords, it was common to just play three or two holes instead (sometimes even just one), especially when the instrument is not of the same key.
In 1930 the words and tune were given in John Ord's "Bothy Ballads". The tune there is in the minor key, and is not used today. The tune that is now usually fitted to the words is given in Colm O'Lochlainn's "Irish Street Ballads" (1939). This might explain why the song is claimed both by the Scots and the Irish.
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