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The Other is a 1972 American horror [4] psychological thriller film, much in the vein of Stephen King and The Twilight Zone, directed by Robert Mulligan, adapted for film by Thomas Tryon from his 1971 novel of the same name.
Women Make Movies wrote: "Structured as a personal journey of rediscovery by filmmaker Jennifer Lee, this documentary brings the momentous first decade of secondwave feminism vividly to life. Its trajectory starts with the earliest stirrings in 1963 and ends with the movement's full blossoming in 1970—from the Presidential Commission's report ...
In 1977 a book with portraits was released called 'Emergence' by photographer Cynthia MacAdams which captured women embracing feminism by shedding cultural restrictions. [7] [8] The documentary revisits those photos and those women, and contains interviews with women such as Jane Fonda, Lily Tomlin and Judy Chicago, and at the same time tackling topics such as identity, abortion, race ...
Clueless “Like the Jane Austen novel on which it’s based, Clueless is an undeniably feminist work. The beloved 1995 teen comedy from Amy Heckerling finds a worthy protagonist in Cher Horowitz ...
One particularly influential chapter in From Reverence to Rape discusses the genre of the "woman's film". As Haskell points out, woman's film could be a compensation for "all the dominated universes from which she has been excluded: the gangster film, the Western, the war film, the policier, the rodeo film, the adventure film."
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In Catching a Wave: Reclaiming Feminism for the 21st Century. Eds. Dicker R, Piepmeier A. Boston: Northeastern University Press, 2003. ISBN 978-1-55553-570-4. "From social construction to social justice: Transforming how we teach about intersexuality." Co-authored with Lisa Weasel, in Women's Studies Quarterly Vol. 30, No. 3/4, Fall/Winter 2002.
Image credits: UnicornOnTheJayneCob #6. The episode of Ted Lasso in Amsterdam, where Rebecca falls into a canal, goes into the houseboat of the man who helped her out, showers there, and ends up ...