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This chart is a general guide, but by no means a definitive or complete fingering chart for the recorder, an impossible task. Rather, it is the basis for a much more complex fingering system, which is still being added to today. Some fonts show miniature glyphs of complete recorder fingering charts in TrueType format. [51]
In addition to the traditional "Baroque" (or "English") fingering, which was created in Haslemere in 1919 by Arnold Dolmetsch, [1] soprano recorders have been made that make use of "German" fingering, which was introduced by Peter Harlan around 1926.
The F alto is a non-transposing instrument, though its basic scale is in F, that is, a fifth lower than the soprano recorder and a fourth higher than the tenor (both with a basic scale in C). So-called F fingerings are therefore used, as with the bassoon or the low register of the clarinet, in contrast to the C fingerings used for most other ...
The garklein recorder in C, also known as the sopranissimo recorder or piccolo recorder, is the smallest size of the recorder family. Its range is C 6 –A 7 (C 8). [citation needed] The name garklein is German for "quite small", and is also sometimes used to describe the sopranino in G. [1] Although some modern German makers use the single-word form Garkleinflötlein, this is without ...
The sopranino recorder is the second smallest recorder of the modern recorder family, and was the smallest before the 17th century. This modern instrument has F 5 as its lowest note, and its length is 20 cm. It is almost always made from soft European or tropical hardwoods, though sometimes it is also made of plastic. A Baroque style sopranino ...
fingering chart. 16th-century illustrations show an instrument which had only a few tone holes, and a very limited range. The intact clay gemshorn, mentioned above, which was found beneath a 15th-century house, had a chromatic range of one octave. Modern makers have often chosen to build them using the Baroque recorder fingering.
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Fingering charts can be found for example in this reference. [1] In the case of finger systems for the clarinet, which are based on the Oehler system, one speaks today mostly of the German system, and of finger systems that are based on the Boehm system (clarinet), of the French system.