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" Mele Kalikimaka" (pronounced [ˈmɛlɛ kəˌlitiˈmɐkə]) is a Hawaiian-themed Christmas song written in 1949 by R. Alex Anderson. The song takes its title from the Hawaiian transliteration of "Merry Christmas", Mele Kalikimaka. [1] One of the earliest recordings of this song was by Bing Crosby and the Andrews Sisters in 1950 on Decca. [2]
Robert Alexander Anderson (often given as R. Alex Anderson) (June 6, 1894 – May 30, 1995) [1] was an American composer who was born and lived most of his life in Hawaii, writing many popular Hawaiian songs within the hapa haole genre including "Lovely Hula Hands" (1940) and "Mele Kalikimaka" (1949), the latter the best known Hawaiian Christmas song.
Lena Machado (October 16, 1903 – January 23, 1974) [1] was a Native Hawaiian singer, composer, and ukulele player, known as "Hawaii's Songbird". She was among the first group of musical artists honored by the Hawaiian Music Hall of Fame in 1995.
Eddie Leilani Kamae was born in Honolulu, Hawaii, and raised both there and in Lahaina, Maui.His grandmother was a dancer for King David Kalākaua's court. [2]He learned to play the 'ukulele [3] with an instrument his bus driver brother found on the public transport.
Like Akaka, Cortez started playing ukulele at 8 and inherited a love of Hawaiian music from his family. But he is often busy with schoolwork and football practice, and the steel guitar is unlike ...
The Hawaiian Pavilion featured a guitar and ukulele ensemble, George E. K. Awai and his Royal Hawaiian Quartet, [20] along with ukulele maker and player Jonah Kumalae. [21] The popularity of the ensemble with visitors launched a fad for Hawaiian-themed songs among Tin Pan Alley songwriters. [22]
Ernest Kaʻai (1881–1962) was considered by many to have been the [1] foremost ukulele authority of his time and is noted by some as being "Hawaii's Greatest Ukulele Player". Kaʻai, who was born in Honolulu , Hawaii , was said to have been the first musician to play a complete melody with chords.
It is also a Hawaiian themed Christmas song composed by Robert Alex Anderson in 1949. The phrase is borrowed directly from English, but, since Hawaiian has a different phonological system (in particular, Hawaiian does not possess the /r/ or /s/ of English, nor does it have the phonotactic constraints to allow consonants at the end of a syllable ...
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