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Princess Elena Poniatowska. Poniatowska was born Helène Elizabeth Louise Amelie Paula Dolores Poniatowska Amor in Paris, France, in 1932. [1] [2] Her father was Prince Jean Joseph Évremond Sperry Poniatowski (son of Prince André Poniatowski), born to a prominent family distantly related to the last king of the Polish–Lithuanian Commonwealth, Stanisław August Poniatowski. [3]
In 1968, Haro married journalist and writer Elena Poniatowska, with whom he had two children: Felipe and Paula. [9] He was previously divorced from his first wife, Gladys Learn Rojas. [citation needed] Haro died on 27 April 1988 in Mexico City, and is interred at the Rotonda de las Personas Ilustres of the Panteón Civil de Dolores. [10]
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Ludwika Maria Poniatowska (1728–1781), was married to Jan Jakub Zamoyski; Izabella Poniatowska (1730–1801), was married to Jan Klemens Branicki; Stanisław August Poniatowski (1732–1798), King of Poland, reigned as Stanisław II August; Andrzej Poniatowski (1735–1773), General, Marshal of Austria
She underwent five operations and spent many years in a wheelchair. During this period, Elena Poniatowska described her as "A bedridden women with an indomitable spirit". In 1972 she remarried with the surgeon Carlos Ruiz Sánchez. She picked up her literary studies again, and wrote her masters thesis on the Mexican poet and essayist, Jorge ...
Elena Poniatowska, Bernardo Sepúlveda Amor Guadalupe Teresa Amor Schmidtlein [ɣwaˈðu.p teˈɾe.sa ˈa.moɾ ʃmit.lajn] (May 30, 1918 – May 8, 2000), who wrote as Pita Amor , was a Mexican poet .
Poniatowski never married and had only illegitimate issues. Among his living relatives is Elena Poniatowska, a Mexican journalist. [14] Bertel Thorvaldsen's equestrian statue of Poniatowski in front of the Presidential Palace in Warsaw. He is one of the figures immortalized in Jan Matejko's 1891 painting, Constitution of 3 May 1791. [15]
Elena Poniatowska wrote a novel in 1978 based on Beloff's relationship with Rivera called Querido Diego, te abraza, Quiela, which was adapted for radio, then translated into English as Dear Diego, with Love, Quiela. [5] The focus of Poniatowska's book was solidarity with Beloff and a social criticism of submission to masculine authority.