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The Kojiki portrays Ame-no-Minakanushi as the first god to appear in the heavenly realm of Takamagahara after the emergence of heaven and earth from the primeval chaos: . At the time of the beginning of heaven and earth, there came into existence in Takamanohara a deity named Ame-no-Minakanushi-no-Kami; next, Takamimusubi-no-Kami; next, Kamimusubi-no-Kami.
Some scholars have attempted to explain the myth of descent of the gods from the Takamagahara as an allegory of the migration of peoples. However, it is likely to have referred from the beginning to a higher world in a religious sense. A Shinto myth explains that at the time of creation, light, pure elements branched off to become heaven .
Izanagi: (伊邪那岐神) was a creation deity; he makes up the seventh generation of the Kamiyonanayo, along with his wife and sister, Izanami. [8]Izanami: (伊邪那美神) was a creation deity; she makes up the seventh generation of the Kamiyonanayo, along with her husband and brother, Izanagi.
Kuebiko (久延毘古) – A Shinto kami of local knowledge and agriculture, represented in Japanese mythology as a scarecrow, who cannot walk but has comprehensive self-awareness and omniscience. Kuji-in (九字印, lit. ' Nine Hand Seals ') – A system of mudras and associated mantras that consist of nine syllables. Kuji-kiri (九字切り, lit.
Japanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto traditions are the cornerstones of Japanese mythology. [ 1 ]
A Amenonuhoko Azusa Yumi G Gohei (Japanese: 御幣) Goshintai (Japanese: 御神体) H Hama Yumi (Japanese: 破魔弓) Heisoku (Japanese: 幣束) I Imperial Regalia of Japan (Japanese: 三種の神器) K Kagura suzu (Japanese: 神楽鈴) Kusanagi (Japanese: 草薙の剣) Koma-inu (Japanese: 狛犬) M Mitamashiro (Japanese: 御霊代) N Nihongo or Nippongo (Japanese: 日本号) O O-fuda ...
Tamamo-no-Mae (玉藻前, 玉藻の前, also 玉藻御前) is a legendary figure in Japanese mythology. One of the stories explaining the legend comes from Muromachi period (1336 to 1573) genre fiction called otogizōshi. In the otogizōshi Tamamo-no-Mae was a courtesan under the Japanese Emperor Konoe (who reigned from 1142 through 1155).
The earliest Japanese representations of Mahākāla-Daikokuten can be classified into two types: one (associated with the Shingon school) shows the deity standing, his left hand holding a sack slung over his shoulder, with his right hand clenched into a fist and resting on the right hip, while the other (associated with the Tendai school ...