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Dancehall pop adopted the instrumental "drum and bass lines" [51] that were originally taken from reggae music accompaniment. [4] The trend of voice-over ad-libs, mostly in the form of talking rather than singing, has remained a distinct characteristic in both dancehall and the dancehall pop music style that grew from DJs in Jamaican dance ...
Riddims are the instrumental background (the rhythm section) of reggae, lovers rock, dub, ragga, dancehall, soca, bouyon, sega and also reggaeton, which itself is largely based on the Dem Bow and Fish Market riddims by Steely & Clevie from the early 1990s. In other musical contexts, a riddim would be called a groove or beat.
The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm".The derived genre originally stemmed from dub, reggae, and dancehall.Although the term was widely used by MCs since the early days of dancehall and garage music, it was later adopted by American dubstep producers and fans to describe what was originally referred to as "wonky dubstep".
Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities.
The song is heavily influenced by tropical music, [1] [2] as well as dancehall, [5] [6] [7] having a Latin beat. [1] It is also marked by clipped phrasing over a minimal beat [2] with trendy Caribbean vibes, [18] Afrobeat instrumental [19] and icy drum patterns. [20] The instrumentation also features collage of electronic beats and tropicalia ...
Raggamuffin music (or simply ragga) is a subgenre of dancehall and reggae music. The instrumentals primarily consist of electronic music with heavy use of sampling.. Wayne Smith's "Under Mi Sleng Teng", produced by King Jammy in 1985 on a Casio MT-40 synthesizer, is a seminal ragga song.
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