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This list follows the chronology of original (typically Spanish-language) publication in books, based in part on the rather comprehensive (but incomplete) bibliography online at the Borges Center (originally the J. L. Borges Center for Studies & Documentation at the University of Aarhus, then at the University of Iowa, now—as of 2010—at the University of Pittsburgh).
Jorge Francisco Isidoro Luis Borges Acevedo (/ ˈ b ɔːr h ɛ s / BOR-hess; [2] Spanish: [ˈxoɾxe ˈlwis ˈboɾxes] ⓘ; 24 August 1899 – 14 June 1986) was an Argentine short-story writer, essayist, poet and translator regarded as a key figure in Spanish-language and international literature.
Labyrinths (1962, 1964, 1970, 1983) is a collection of short stories and essays by Argentine writer and poet Jorge Luis Borges.It was translated into English, published soon after Borges won the International Publishers' Prize with Samuel Beckett.
The Book of Sand (Spanish: El libro de arena) is a 1975 short story collection by Argentine writer Jorge Luis Borges.In the author's opinion, the collection, written relatively late in his career — and while blind — is his best book.
Ficciones (in English: "Fictions") is a collection of short stories by Argentine writer and poet Jorge Luis Borges, originally written and published in Spanish between 1941 and 1956.
Borges would examine a similar idea in his 1976 story, "The Book of Sand", in which there is an infinite book (or book with an indefinite number of pages) rather than an infinite library. Moreover, the story's Book of Sand is said to be written in an unknown alphabet and its content is not obviously random.
Angel Flores, the first to use the term "magical realism", set the beginning of the movement with this book. [1] The stories (except Hombre de la esquina rosada) are fictionalised accounts of real criminals. The sources are listed at the end of the book, but Borges makes many alterations in the retelling—arbitrary or otherwise—particularly ...
Borges in 1967. In Borges' story, the Aleph is a point in space that contains all other points. Anyone who gazes into it can see everything in the universe from every angle simultaneously, without distortion, overlapping, or confusion. The story traces the theme of infinity found in several of Borges' other works, such as "The Book of Sand".
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