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Felix Mendelssohn's "Wedding March" in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches, generally being played on a church pipe organ.
The "Bridal Chorus" (German: "Treulich geführt") from the 1850 opera Lohengrin by German composer Richard Wagner, who also wrote the libretto, is a march played for the bride's entrance at many formal weddings throughout the Western world.
There is a brief fanfare for trumpets and timpani, a parody of a funeral march, and a Bergamask dance. The dance uses Bottom's braying from the overture as its main thematic material. The play has three brief epilogues. The first is introduced with a reprise of the theme of the "Wedding March" and the fairy music of the overture.
The best-known trumpet voluntary is the Prince of Denmark's March, a composition by Jeremiah Clarke written circa. 1700. [1] It is properly a rondo for keyboard and was not originally called a trumpet voluntary. It is very popular as wedding music and was played at the 1981 wedding of Charles, Prince of Wales, and Lady Diana Spencer.
Popular as wedding music, [6] [7] [8] the march was played during the wedding of Lady Diana Spencer and Prince Charles at St Paul's Cathedral in 1981 [6] and during the wedding of Prince Joachim of Denmark and Alexandra Manley in 1995.
Franz Liszt, after an 1856 painting by Wilhelm von Kaulbach. This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.. These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions.
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Fantasia on "The Last Rose of Summer" in E major for piano, Op. 15 (1827) Fantasies or Caprices for piano, Op. 16 (1829) No. 1 Fantasia in A minor; No. 2 Caprice or Scherzo in E minor; No. 3 Fantasia in E major ("The Rivulet") Fantasia in F-sharp minor for piano, Op. 28 ("Sonate écossaise") 3 Caprices, Op. 33 (1834–1835) No 1. in A minor (1834)
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