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List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
The Poppy Field near Argenteuil (French: Coquelicots) is an oil-on-canvas landscape painting by the French Impressionist Claude Monet, completed in 1873.. Following its donation to the French state in 1906 by Étienne Moreau-Nélaton, it was housed successively in the Louvre, Musée des Arts Décoratifs and the Jeu de Paume.
Claude Monet, The Water Lilies – The Clouds, 1920–1926, Musée de l'Orangerie, Paris Claude Monet, The Water Lilies – Setting Sun, 1920–1926, Musée de l'Orangerie, Paris Claude Monet, Reflections of Clouds on the Water-Lily Pond, c. 1920, 200 × 1276 cm (78.74 × 502.36 in), oil on canvas, Museum of Modern Art, New York City
Hermitage version (Waterloo Bridge.Effect of Fog). Waterloo Bridge is a series of 41 impressionist oil paintings of the 1807–1810 Waterloo Bridge in London by Claude Monet, produced between 1900 and 1904 and forming a sub-series within his larger 'London series' alongside the Charing Cross Bridge series and the Houses of Parliament series.
Woman in the Garden (French: Femme au jardin) (or Jeanne-Marguerite Lecadre in the Garden) is a painting begun in 1866 by Claude Monet when he was a young man of 26. The work was executed en plein air in oil on canvas with a relatively large size of 82 by 101 cm. and currently belongs in the collection of the Hermitage Museum in St Petersburg, Russia.
In 1940, the Nazis seized a Claude Monet pastel and seven other works of art from Adalbert "Bela" and Hilda Parlagi, a Jewish couple forced to flee their Vienna home after Austria was annexed into ...
Women in the Garden (French: Femmes au jardin) is an oil painting begun in 1866 by French artist Claude Monet when he was 26. It is a large work painted en plein air; the size of the canvas necessitated Monet painting its upper half with the canvas lowered into a trench he had dug, so that he could maintain a single point of view for the entire work.
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