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  2. Silent Worship - Wikipedia

    en.wikipedia.org/wiki/Silent_Worship

    The song "Silent Worship" is a 1928 English-language adaptation for voice and piano by Arthur Somervell of Alessandro's aria "Non lo dirò col labbro" from Handel's 1728 opera Tolomeo (Ptolemy). It is the ninth song in Somervell's collection Ten Songs of Handel (8) and Giovanni Bononcini (2). [ 1 ]

  3. You Gave Me Love (When Nobody Gave Me a Prayer) - Wikipedia

    en.wikipedia.org/wiki/You_Gave_Me_Love_(When...

    The Best of B.J. Thomas (1980) You Gave Me Love (When Nobody Gave Me a Prayer) is the twenty-first studio album and third gospel album by American singer B. J. Thomas , released in 1979.

  4. Piano solo - Wikipedia

    en.wikipedia.org/wiki/Piano_solo

    The piano is often used to provide harmonic accompaniment to a voice or other instrument.However, solo parts for the piano are common in many musical styles. These can take the form of a section in which the piano is heard more prominently than other instruments, or in which the piano may be played entirely unaccompanied.

  5. Stoned Cold Country - Wikipedia

    en.wikipedia.org/wiki/Stoned_Cold_Country

    Clay Cook – Hammond B3 organ, piano, backing vocals; Daniel de los Reyes – percussion; Jimmy de Martini – violin, backing vocals; Paul Franklin – steel guitar "You Can't Always Get What You Want" Danny Rader – acoustic guitar; Rob McNelley – electric guitar; Steve Mackey – bass; Greg Morrow – drums; Mike Rojas – keyboards

  6. This Time I've Hurt Her More Than She Loves Me - Wikipedia

    en.wikipedia.org/wiki/This_Time_I've_Hurt_Her...

    "This Time I've Hurt Her More Than She Loves Me" is a song written by Earl Thomas Conley and Mary Larkin and recorded by American country music artist Conway Twitty. It was released in October 1975 as the first single from the album This Time I've Hurt Her More. The song was Twitty's fifteenth number one country single as a solo artist.

  7. List of variations on Pachelbel's Canon - Wikipedia

    en.wikipedia.org/wiki/List_of_variations_on...

    Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]

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